The award-winning playwright has not written a new play in a decade, but as People, Places and Things returns to the West End and a Game of Thrones stage spin-off continues development, he talks about the responsibility of accurate storytelling and updating his vivid addiction drama for today’s audiences
Of course, we need scientists and engineers, but without the creative thinking that arts education provides, our society will struggle to face the challenges of the future
Rebecca Frecknall’s Cabaret on Broadway has been met with surprising reviews. But when it comes to transatlantic transfers, they remain an unknown territory
Thangam Debbonaire could be heading up the UK arts sector under a Labour government by 2025. Her speech at The Future of Theatre conference 2024 gave reasons to be optimistic, but there are still plenty of policy details to be fleshed out
The award-winning playwright has not written a new play in a decade, but as People, Places and Things returns to the West End and a Game of Thrones stage spin-off continues development, he talks about the responsibility of accurate storytelling and updating his vivid addiction drama for today’s audiences
From crossing vast mountain ranges and committing brutal acts of violence, to conjuring life-sized tigers and going inside the human body, theatremakers have long attempted to stage the seemingly unstageable. Artists responsible for some of these onstage phenomena tell Lyn Gardner how they do it, and why, sometimes, doing more with less can be the most powerful solution
Georgia Luckhurst and Katie Chambers report on the Fresh thinking for tomorrow’s theatre panel from last week’s Future of Theatre conference, in association with Moore Kingston Smith, at @sohoplace in London
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